About TRIchrO

 

Since 2015, TRIchrO has been performing original, contemporaly and  modern jazz throughout the greater Boston and New England area at venues such as Ryles Jazz Club, Lilypad, Longwood Tower Concert Series, Public Library of Brookline and Baby Grand Jazz Concert Series at Hartford Public Library. TRIchrO consists of Eriko Yamaki Mercure(八巻マキュアー絵里子) -piano and composition, Mark Fairweather – Drums and Dave Mercure – Bass.

‘Gordon Marshal  The Flash Boston’

TRIchrO  July 10th 2016 @ Lilypad – Cambridge

The first number I hear is a waltz, steady, with bright tones from Eriko Mercure on piano, alternating with straight-out funk from Dave Mercure on electric bass, and Mark Fairweather, on drums, switching between heavy thuds, and soft cymbal sweeps. The tone lightens, with Eriko doing soft swing. The tempo keeps changing. It can get elegant and romantic, with the focus on Eriko, her gentle glissandi, sharp chord blocks, contemplative flights up and down the registers. Then there are bluesy aftertastes.

The next number is “Gravity”. It is very geometrical. Circles and squares and jagged lines. Tension builds, and it is a rolling modal workout. Then again it is delicate, ornate, just like Chopin. Eriko plays alone, and she’s everywhere, back to the blues, segueing into Beethoven-like sonata, as the bass breaks in again, likewise alone, but rocking with harmonics and overtones. Fairweather takes his solo, with complex Latin infusions, but solid and syncopated and swinging. The three come together again with fitful bursts and sparks, one flame shooting out of another like a Roman candle. The end is sweet and grand.

There is a serene, serious logic to this music. It’s almost like you are hearing Eriko’s thought work, as if she were writing an essay, stuck on knotty quandaries, working around them into exuberant solutions. It is always stopping and starting, moving from one place to another, and back, with a solid foundation.

She is also playful, like a child playing with blocks, building imaginary villages. Her sources are many, and you are struck by myriad, haunting and enchanting, scenes as you stroll through them. But she keeps playing, rearranging the blocks, so it is always a changing village you are in even within one song.

TRIchrO has stop-on-a-dime rhythms, aromatic warmth, stride and swing, rushes of good energy. Their final number, “Friends From Afar”, is one such rush, where Eriko has the crystal effervescence of Cedar Walton, building one chord on top on another, with a racing pace. You never know where the trio will take you, but you always know where you are.